{"id":1971,"date":"2017-04-13T05:04:50","date_gmt":"2017-04-13T00:04:50","guid":{"rendered":"http:\/\/cgauthier.ca\/en\/?p=1971"},"modified":"2017-04-13T05:11:48","modified_gmt":"2017-04-13T00:11:48","slug":"dorothea-lange","status":"publish","type":"post","link":"https:\/\/blog.cgauthier.ca\/en\/2017\/04\/13\/dorothea-lange\/","title":{"rendered":"Dorothea Lange, her social vision"},"content":{"rendered":"

The photographer Dorothea Lange created the iconic photos of the Great Depression in the United States in the 1930\u2019s. With great sensitivity and a curious eye, she captured and documented the misery of the people who had faith in the future. Her social work continued during the Second World War by documenting the dispossession of Japanese families that have established in America for several decades. As a photograph artist for documentaries, Dorothea Lange is without a doubt the most recognized in America, despite the sustained criticism she received during her time. She managed to integrate the analysis of places, of people and of economic forces that were influencing the society. Her central guideline was concentrated on the importance of social justice.<\/p>\n

Born in 1895 in New Jersey, and died in 1965. Two traumas during her childhood have forged her personality: at 7 years old, polio, and at 12 years old, her father abandoned the family, the source of her ability to identify with the marginal figures of the society.
\nInfluenced and shaped by the aesthetic values and pictorialism of the turn of the century.<\/p>\n

\"Dorothea

Dorothea Lange, Photographer, documentarian and portraitist, field work<\/p><\/div>\n

In 1918, she moved to San Francisco and established a photo studio as a portraitist that she operated for 15 years. She quickly became recognized as a young talented artist. She defined her style as a portraitist and rejected the aesthetics of pictorialism. She created images that highlighted the individuality of her customers and gave them a sense of vitality. She did not use accessories and forced smiles.<\/p>\n

With the arrival of the Great Depression in the early 1930\u2019s, she found herself being unemployed. She transformed into a street photographer. By coincidence, in 1934, she landed a job for the account of FSA (Farm Security Administration). The New Deal<\/strong> by Franklin Roosevelt<\/strong> was to consolidate the economy, industry and agriculture. The FSA had as task to document the disastrous situation of the Rural America.
\nContributed to humanize the consequences of the Depression and to accelerate the government\u2019s commitment to assist migrants.<\/p>\n

During the 30 following years, she worked as a photographer for the government (between 1934 and 1945) and then on a freelance basis. She documented the problems related to the recession, such as the erosion of soils, drought and abandoned farms. She focused her efforts to illustrate the impact of problems on migrants by using her experience as a portraitist.<\/p>\n

She knew the importance of communicating with the subjects to express a body language that was spontaneous and natural.<\/p>\n

Her anti-racial convictions allowed the documentation of the black population affected by the recession, however these pictures remained unreleased to avoid political conflicts. Later, in 1942, during the relocation period of populations of Japanese origin, she managed to capture the troubling evidence of racism of the time. On this basis, she was dismissed and the images were confiscated by the Government. It was only in 2006 that these images were finally able to be published.<\/p>\n

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\"Dorothea

Dorothea Lange during the Great Depression<\/p><\/div>\n

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\"Florence

Florence Owens Thompson, 32 years old, 7 children<\/p><\/div>\n

1936, weight sorters camp, 25,000 migrants lived in the camp<\/p>\n

Metaphor of the human distress
\nLange recounted her experience with Florence and her fear to establish communication with her family
\nTight framing without the context, timeless image, the representation of the Virgin with children of the middle-age
\nLast image of a sequence of 5, when the children were not paying attention to the camera
\nAesthetic transfiguration of the human suffering with the purpose to mobilize compassion
\nLange was aware of the suggestive force of this Madonna of modern times.
\nLange received some criticism for using her portraitist staging techniques to create this image, by asking the children to turn around to better highlight the beauty and the emotions of the mother, thus reducing the documentary quality of the document. Lange replied that she was in search of a deeper truth.<\/p>\n

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\"\"

Famous thumb registered on the original snapshot, subsequently erased, causing a controversy.<\/p><\/div>\n

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The source of controversy, after the contested editing of the thumb<\/p><\/div>\n

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\"Florence

Lange told the story of how the contact with the family was made. First hesitant, she took her photos from afar and approached them gradually.<\/p><\/div>\n

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\"Florence<\/p>\n

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\"Florence<\/p>\n

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In 1998, an auction by Sotheby for an unedited photo of 34.3 by 26.7 cm was sold for $244,500.<\/p>\n

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\"Michelangele,

The ceiling of the Sixtine chapel<\/p><\/div>\n

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\"Michelangele,

The ceiling of the Sixtine chapel, details of a cornice<\/p><\/div>\n

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\"Michelangele,

The ceiling of the Sixtine chapel, details of the Virgin<\/p><\/div>\n

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The Second World War Era (1935 \u2013 1945)<\/h2>\n
\"Dorothea

American children of Japanese origins promising allegiance in 1942<\/p><\/div>\n

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\"Dorothea<\/p>\n

Photos of the dispossession of Japanese families by Lange were withdrawn from circulation by the U.S. Army and deposited in the National Archives. They were published for the first time in 2006.<\/p>\n

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The Family of Man<\/h2>\n

Participated in the exhibition “The Family of Man” in support of Edward Steichen In 1953
\nViewed by 9 million visitors everywhere on the planet.<\/p>\n

Retrieved her snapshots from the FSA<\/p>\n

References, Dorothea Lange<\/h2>\n

The Depression Era Photography of Dorothea Lange<\/a><\/p>\n

Dorothea Lange \u00a0 Censored Photographs of FDR\u2019s Japanese Concentration Camps<\/a><\/p>\n

SF MOMA \u00a0Dorothea Lange Collection<\/a><\/p>\n

Dorothae Lange<\/a><\/p>\n

Artsy <\/a>Dorothea Lange , Collection of photographs<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The photographer Dorothea Lange created the iconic photos of the Great Depression in the United…<\/p>\n","protected":false},"author":3,"featured_media":1973,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[209],"tags":[],"yoast_head":"\n\n\n\n\n\n\n\n\n\n\n\n\n\t\n\t\n\n